TAKE IT OR MAKE IT (2016-2017)

Artistic experiment on social choreography of democracies by Ana Vujanović


I set an experimental artistic process based on the premise of working together, in a group, on the issue of the democracy as a real-existing organization of social situation. The experiment takes as its point of departure the cinematic score by experimental filmmaker Heinz Emigholz for his movie Schenec-Tady I (1973).


Heinz Emingholz: score plan

Firstly, five performers interpret that score individually, creating artistic materials separated from each other and then they get together and negotiate how to create the group situation democratically, starting from the five solos.
This experiment can result in a presentation, performance or stay in a laboratory framework.
Every time the process is different, as well as its results, since the types, forms and principles of democracy which are examined and physically probed depend on the artists involved and their social contexts and concerns.
For that reason I’m especially interested in the contexts with fragile democracy, where we can see it weak and under the question.

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Public Sphere by Performance

Public Sphere by Performance, with Bojana Cvejic
Berlin: b_books (in cooperation with co-publisher: Les Laboratoires d’Aubervilliers), 2012, 2015 second edition

publ sphere front


  • Juliane Debeusscher, “Public Sphere by Performance”, Critique d’art [En ligne], 2012. Read here
  • Marko Đorđević, “Ana Vujanović, Bojana Cvejić, The Public Sphere by Performance, 2012. recenzija”, Art + Media, Journal of Art and Media Studies no. 6, 2014. Read here

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