(Cultural) Workers Gone Political

Ana Vujanović (2014/15)

This article presents a brief discussion on contemporary artists citizens. It will examine the public life, and the political activity in particular (vita activa), of the critical cultural worker in neoliberal capitalist society. Here, a critical cultural worker—theoretician, artist, curator, journal editor, cultural producer, etc.—means the one who wants and tries to be political,[1] hence the cultural worker gone political. The purpose of the article is to unpack, through discussing dubious politicality of the critical cultural worker, a tension between the work and the politics in today’s society, and to propose a few thoughts on what the politics today could be and how it could look like once we recognize its classical definition as socially and historically inadequate.

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Performing Ideology // Madrid, 2013

full title: Ana Vujanović, "Performing Ideology: Immunitas and communitas in today’s neoliberal democratic society"

a lecture given at the international seminar No hay mas poesía que la acción (There is no other poetry than action) (the program of the seminar: in Spanish, in English)
Museo Reina Sofía / Artea
April 12-13, 2013, Madrid

Ana Vujanović’s lecture at: 01.52.00-02.22.30 min

Watch live streaming video from museoreinasofia at livestream.com

PERFORMANCE AND THE PUBLIC (2011-2013)

Transdisciplinary research project by Bojana Cvejić, Marta Popivoda and Ana Vujanović

 

In the frame of TkH [Walking Theory] residency How To Do Things By Theory at Les Laboratoires d’Aubervilliers (2010-2012), we started a research about Performance and the Public. The main focus of Cvejić’s and Vujanović’s theoretical part of research are the concepts of “social choreography” and “social drama”, while Popivoda focuses on mass performances of ideology in former, socialist Yugoslavia.

 

Presentation of the research Performance and the Public at the symposium “Broken Performances: Time and (In)Completion”, March 21-23, 2013, Zagreb:

 

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The Politics of Performance // Warsaw, 2011

full title: Jan Ritsema, Ana Vujanović, and participants of the dramaturgical workshop Politicality of contemporary performance medium: dramaturgical and anti-dramaturgical principles and procedures: "The Politics of Performance", performance-presentation powered by Générique tool from Everybodys Toolbox

Institute of Music and Dance / The Museum of Modern Art
March 26-3o, 2011, Warsaw

Performative turn. The Politics of Performance. (english) from Muzeum Sztuki Nowoczesnej on Vimeo.